![]() ![]() Pro Tools Operating System Compatibility ChartĬomputer Optimization and Troubleshooting Guides - Mac and Windows Pro Tools product line feature set comparison ![]() ![]() As the site guidelines and their notices tell you, be sure to read the sub rules before participating Feature/Sticky Post Schedule DayĬontent Creation Station - for Evals and Self-Promotion Whether it is yours or theirs, there are no allowable exceptions or appealable circumstances. Going there in any way at all will result in an irrevocable ban. Piracy / Crack / Hack discussion is not allowed. Provide the version of Pro Tools, the operating system, the error number, hardware involved, and what you have tried. The post title should only be a very short / concise description of the problem. If you are given given an error number, add it to the front of the post titleĭo not make sensationalized post titles like stating you need help (all posters do and it is not truly informative), urgency (it's always urgent), all caps, or excessive punctuation. Everyone is welcome, from industry veterans to bedroom engineers.īe sure to check out our wiki pages for more information regarding Pro Tools links to shortcuts, FAQs, Guides and Tutorials, Plugins and more. What a hassle and a buzz kill.Subreddit Info and Rules Pro Tools Shortcuts Production & Engineering Subreddits FAQ Guides and Tutorials PlugIns r/ProTools on Discord About r/ProTools Speaking of native versus HDX, I also think that it’s pretty lame that the delay compensation for side chaining isn’t incorporated in the native version. Question: can I safely disable delay compensation on the final master buss or aux track that feeds my monitoring? I thought about doing it many times, but I just need to be sure that things always play the same both at my commercial facility and on my native rig at home. Maybe that’s why my HDX system runs out of delay compensation before my native system does. I’ll because I don’t want to use these people again but very often there isn’t a DSP version of the plug-in that I’m using. In fact my sessions are almost always native plug-ins even on my HDX system. I always use native plug-ins on audio tracks and I never mix native plug-ins with DSP plug-ins at all. There’s a few plug-ins that seem to be extra heavy on the delay compensation side. But sometimes I can get it to go green again by disabling something upriver. And the fix is usually disabling a plug-in. I mostly get problems with delay compensation from plugins on the master bus. I don't know, maybe I'm overreacting, but it is annoying that my home studio, which I use a lot as well, seems to never hit the red DC meter, where as my commercial studio HDX system, is almost always in the red.Īny thoughts or links to other threads is apprecated. What I find very concerning is that maybe a future system will allow more delay compensation that what I have today and if I upgrade, mixes I do today won't sound the same on the new system because the new DC allows for more compensation thus timings could be off somewhere. I'm looking to find, or start, a thread on how to setup the best strategy for using elaborate routing on HDX, and avoid running the delay compensation in the red.įor example: do you gain anything by putting plugins on a master fader for a buss that feeds an aux track as opposed to putting the plugins directly on the aux track itself?ĪND, when it is OK to be in the red, can the last aux/master buss in the system be the cause of overshooting the DC without causing any problems up stream? ![]()
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